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Old 04-14-2005, 12:13 AM   #11 (permalink)
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The story could use some streamlining in a few places. For example, you have a sentence that says:
Quote:
The lights which ran along the ceilings, which barely illuminated the corridors sufficiently even on a good day, were flickering and buzzing. Many had gone out completely.
A slight change makes it flow a bit better:

Quote:
The lights which ran along the ceilings, barely illuminating the corridors sufficiently even on a good day, were flickering and buzzing. Many had gone out completely.
The description of the subspace TV is a bit too much for something that really doesn't matter to your story. Instead of adding to the "realism" of the world you're creating, it just kind of bores the reader as you focus on irrelevenat details. Perhaps you could have something like:

Quote:
He turned off the TV (which, although still called a "TV" bore little resemblance to that archaic device).
Also, the mention of concepts like "subspace" common though they may be, inevitably draws sci-fi readers to comparisons with "Star Trek". It's hard after 40 years (especially harder for fans) to pull one's writing away from "Trek", which I think you're trying to do here. But there are times when the story feels like it could be right on the bridge of the Enterprise or any other Federation ship. Mentions of hull breaches and sealing off decks is hard to get around, but you might try rewording it and inventing some new jargon or something.

All that aside, I have to say the bits I like the most are the ones with the Muslim character relating to the crew around him, rather than the "action-packed" climax. To be honest, I think you should remove it, and have a more character-based, introspective story about this man and use him to explore a future where the relations between Islam and Christianity and everyone else is still strained for whatever reasons. Perhaps, even out in the vast emptiness of space, the world still seems cramped to these people. Use your tiny starship as a metaphor, maybe.
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Old 04-14-2005, 02:04 AM   #12 (permalink)
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Brikar, you're starting to sound like a woman critic, I say bring on the fistfights and explosions!
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Old 04-14-2005, 05:43 AM   #13 (permalink)
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Thanks for the critique, I'll take that stuff to heart.

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Brikar stopped drinking long enough to mumble
All that aside, I have to say the bits I like the most are the ones with the Muslim character relating to the crew around him, rather than the "action-packed" climax. To be honest, I think you should remove it, and have a more character-based, introspective story about this man and use him to explore a future where the relations between Islam and Christianity and everyone else is still strained for whatever reasons. Perhaps, even out in the vast emptiness of space, the world still seems cramped to these people. Use your tiny starship as a metaphor, maybe.
That was the plan. However, I needed to end it somehow because I didn't think my classmates would appreciate a 40-page monstrosity. I wanted to show the two sides of the crew while still ending the story. Of course, that can't be done without some sort of crisis situation. The story will continue to be character-driven, and will quite likely be edited to make Ackbar the central character with a limited third-person narrative, as per the suggestions of my professor.

Apparently, my classmates and my teacher really like the character of Ahmed Ackbar. I think it's because he's a character type they've never seen before in science fiction, and because his quiet pride isn't used much in literature at all.
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Old 04-14-2005, 05:27 PM   #14 (permalink)
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Wait, if Akbar's there, where's Jeff?
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"Let me tell you something about humans, nephew: They're a wonderful, friendly people - as long as their bellies are full and their holosuites are working.

"But take away their creature comforts, deprive them of food, sleep, sonic showers, put their lives in jeopardy over an extended period of time and those friendly, intelligent, wonderful people...will become as nasty and as violent as the most blood-thirsty klingon."

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Old 04-15-2005, 12:25 AM   #15 (permalink)
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Quote:
iamspen stopped drinking long enough to mumble
Thanks for the critique, I'll take that stuff to heart.



That was the plan. However, I needed to end it somehow because I didn't think my classmates would appreciate a 40-page monstrosity. I wanted to show the two sides of the crew while still ending the story. Of course, that can't be done without some sort of crisis situation. The story will continue to be character-driven, and will quite likely be edited to make Ackbar the central character with a limited third-person narrative, as per the suggestions of my professor.

Apparently, my classmates and my teacher really like the character of Ahmed Ackbar. I think it's because he's a character type they've never seen before in science fiction, and because his quiet pride isn't used much in literature at all.

Fuck your classmates. Do it your way. That's what writing's all about, man.
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Old 04-15-2005, 12:50 AM   #16 (permalink)
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I think a woman in a catsuit is your only hope to improve it spen.
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Old 04-15-2005, 01:03 AM   #17 (permalink)
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No no no!!!! Writing's about making money by sitting in your bedroom all day, taking drugs till you get an idea for a story, then writing it when you're sober.
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"But take away their creature comforts, deprive them of food, sleep, sonic showers, put their lives in jeopardy over an extended period of time and those friendly, intelligent, wonderful people...will become as nasty and as violent as the most blood-thirsty klingon."

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